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A SHIP IN THE WOODS MUSIC & ART FESTIVAL –Saturday June 16, 2018

Santa Fe Art Institue –Tuesday, May 22 at 6:30 PM – 8:30 PM

SFAI Equal Justice Residents, Sara Madandar and Minoosh Zomorodinia, are US-based artists from Iran. They will perform a participatory piece on May 22nd at 6:30pm at SFAI. 

Sara Madandar will perform My Body Is My Home. This will be an hour and a half long presentation, Sara will perform for 15 minutes while also allowing space for the audience to engage in the overall presentation.

Memorial Lands is a participatory performance piece. Minoosh Zomorodinia as an immigrant looking for home by walking in different places. She takes maps of her walks around SFAI and creates a new place inside the gallery and marks the land by flags made of different materials. By using technology Minoosh Zomorodinia challenges notions of power and ownership— our ownership of technology and of the land itself. Audience are invited to join her and mark the land to create a territory by flags.

Imagining Sanctuary, Saturday March 31- April 21, 2018

Solo show by IC3 Artist-in-Residence Minoosh Zomorrodinia

 Minoosh Zomorrodinia’s solo exhibition at ICCNC takes up the theme of sanctuary. This show —featuring video installations, sculpture and performances—demands that viewers ask themselves questions about who or what deserves sanctuary in our troubled times: endangered flora and fauna, refugees, the unhoused, women survivors, indigenous people? Where can any of them find real sanctuary, in the Bay Area or anywhere else in our present time and place? The exhibition challenges one’s own powers of observation.

Minoosh Zomorodinia is an observant Muslim artist of Iranian descent, and her exhibition at the Islamic Cultural Center of Northern California takes up the theme of sanctuary. This show —featuring video installations, sculpture and performances—demands that viewers ask themselves questions about who or what deserves sanctuary in our troubled times: endangered flora and fauna, refugees, the unhoused, women survivors, indigenous people? Where can any of them find real sanctuary, in the Bay Area or anywhere else in our present time and place? The exhibition challenges one’s own powers of observation.

Curatorial direction/writing by Thea Quiray Tagle, PhD

Desire Trails at Headlands Center for the Arts

The CloudWalk with Minoosh Zomorodinia and Astrid Kaemmerling

The CloudWalk is a performative walk through the landscape of the Marin Headlands. Together with the artists, participants are invited to think about our changing relationship to clouds as we transition between landscapes and technoscapes. Historically, clouds have provided water and were a symbol of air, and more recently clouds have come to symbolize data transfer and global knowledge streams. Chase clouds together and elaborate on their role in the natural landscape and our daily lives. Be prepared to become clouds yourselves and to transition between discussions about the natural environment and the landscape of data flows while connecting together in meaningful new ways.

A New Type of Flâneur Strolls in Search of Humanit by Erin Langner

Colonial Walk Curated by Thea Quiray Tagle- January 27th, 2018- March 10th, 2018

Feast Arts Center (Tacoma, WA) and independent curator Thea Quiray Tagle present Minoosh Zomorodinia: Colonial Walk, an interdisciplinary art project that runs from January 27-March 10, 2018. The project is comprised of a gallery exhibition of Zomorodinia’s multimedia installation “Colonial Walk,” in addition to prints and sculptures from the larger series.

Earth Body Curated by Sidney Bacon Russell- October 27, 2017

Follow my Shadow, 2015

OOBLECK PRESENTS:
EARTH-BODY

a group exhibition featuring: Nancy Beckman, Rachael Cleveland, Mercedes Dorame, Emma Lanier, Cheryl Leonard, Ashley May, Sophia Shen, Jacqueline Sherlock Norheim, Hannah Perrine Mode, and Minoosh Zomorodinia

Colonial Walk (21h:9′:3″) at Avenue 12 Gallery

Colonial Walk (21h:9′:3″), 2017

About Colonial Walk:

As an immigrant investigating the self in the natural environment, Zomorodinia borrows ritual to picture her dreams. Using walking as medium, and recording her path with an app, she creates a pilgrimage that belongs exclusively to her. Individual videos taken along the route are structured together into moving images within each frame by the use of sophisticated software. The final artwork contains movement within movement, mapping land that does not belong to her, thereby addressing the notion of power and ownership in relation to technology.

Homecoming Exhibition at ACRE

Shelter, 2017. Homecoming curated by Sabrina Greig at ACRE in Chicago

Homecoming
Works by Bahareh Khoshooee, Ke Peng, and Minoosh Zomorodinia
Curated by Sabrina Greig
October 6th-27th

Homecoming is a three-person exhibition presenting work by Bahareh Khoshooee, Ke Peng, and Minoosh Zomorodinia at ACRE Project Galleries from October 6th- October 27th. Working across the mediums of photography, video, and installation, the exhibiting artists expand the scope of transnational narratives to challenge notions of citizenship and sensations of belonging. Through the manipulation of digital interfaces, they collectively provide an innovative commentary on the socio-political uncertainties Diasporic communities face.

Originating from the international locations of Iran and China, the artists on view in Homecoming redefine place-making from multiple perspectives. Minoosh Zomorodinia exhibits Shelter, a multimedia installation that uses kaleidoscopic projections to investigate the humanitarian issue of homelessness and society’s relationship to the natural world. Bahareh Khoshooee’s video entitled <<–space spice ,.;’]’ foreign sneeze )’///:;’.,; Sunday snooze =’;,.>> is an ironic exploration of the challenging process of obtaining a U.S Visa. The piece touches upon the fragility of American citizenship and how the nuances of immigration politics can complicate one’s daily experience. Your Flower Might not Blossom by Ke Peng is a meditation on maturation and becoming an adult away from loved ones. The narrative follows the artist’s grandmother who believes in the auspicious significance of lotus flowers.

Each exhibited piece, bordering on the uncanny and the otherworldly, gives agency to Bahareh Khoshooee, Ke Peng, and Minoosh Zomorodinia as they question the value and intricacies of locating home. Their transnational critiques dynamically visualize their internal and external worlds through digital means, making their immigrant experiences tangible and accessible to the viewer.

Transform Fest 2017 at Yerba Buena Center for the Arts, Sept 16&21, 2017 8pm

opia 2017 photo credit Minoosh Zomorodinia

Larry Arrington is a dance artist, Sandra Lawson Ndu is a musician based in Oakland, and Minoosh Zomorodinia is an Iranian-born artist working in photography, video, performance, and installation.

These collaborators will turn to magic, imagination, and story, digging into the soil to unearth gestating potential. What stories do we belong to? What magic are we using to create contexts that produce these questions of citizenship? Stories create fear, but they also create magic.

Commons Opening at the Headlands Center for the Arts Sept 17th, 2017

21h:9′:3″ at Commons Opening September 17th, 2017

Knots& Ripples, Introductions at Root Division, Sept 9, 2017 8pm

Open Studio at I-Park Artist Residency July  23, 2017

Everyone is Hypnotized: Artists Dérive the Bay Area, is a group exhibition of works by 11 Bay Area artists that draw from the experience of wandering about the Bay Area’s rich and varied landscapes. This exhibition was curated by the Oakland-based team Gipe + Tell as part of Pro Arts’ Curators in Residence program. Exhibiting artists include Sebastian Alvarez, Brian Dean, Joanne Easton, Marshall Elliott, Jon Gourley, Jon Kuzmich, Leora Lutz, Andréanne Michon, Maria Porges, Michal Wisniowski and Minoosh Zomorodinia.

The exhibition is inspired by Guy Debord’s “Theory of the Dérive,” a dérive being an unplanned journey in which participants ‘let themselves be drawn by the attractions of the terrain and the encounters they find there.’ Curators, Gipe + Tell began with the question, “What steps can artists take to engage in intellectual investigation, creative growth, and critical interrogation while navigating the urban environment?” They asked the artists to engage in dérive as a template for exploration, with the artwork being a visual manifestation of their experience. The resulting artwork highlights the possibility for engagement, detachment or both.

Stairwell’s Mini-Field Trips

Common Grounds Arts Festival Family Day

San Francisco Chronicle Parking Lot (5th & Natoma), SOMA

Saturday, May 20, 2017, 11am – 4pm ***

FREE

Join Stairwell’s at the Common Grounds Arts Festival Family Day, hosted by Intersection for the Arts, for hands-on activities and two newly-crafted mini-Field Trips! Each of these FREE one-hour walking tours will be led by Stairwell’s Co-Director Carey Lin in collaboration with guest Field Trip leaders Raheleh Minoosh Zomorodinia and Gabriel Gilder.

Explore the SOMA neighborhood, write (and decode) secret messages, play interactive games and much more! Field Trips depart at 12:30 pm and 2:30 pm but we expect the spots to fill up fast, so stop by the festival early to sign-up if you’d like to come along. Curious about what happens on a Stairwell’s Field Trip? Check out photos of some of our past walks.